The Jupiter Orchestra at Gasholders Building, King's Cross — 4 March 2026.
Photograph: Chris Gloag
Gasholders Building, King's Cross — 4 March 2026
Launch concert
The Jupiter Orchestra's first performance took place on 4 March 2026 in the circular courtyard of the Gasholders Building, King's Cross. An audience of over a hundred stood on the tiered levels of the building, looking down into the courtyard from every side. The orchestra, led by Julian Azkoul, performed in the centre.
As guests arrived, the harpist Harriet Adie performed solo on the ground floor. The harp was the first sound of the evening, reaching listeners before the programme had formally begun.
The concert itself ran thirty minutes: selected movements from Grieg's Holberg Suite, the first movement of John Adams's Shaker Loops, and Christopher Clark's arrangement of the Intermezzo from Mascagni's Cavalleria rusticana. A spoken introduction followed the Grieg.
Throughout the building, the sound was clear and warm. From the centre of the courtyard, the clarity, immediacy and blend were extraordinary, a quality of listening particular to that room. The Adams landed most fully. The concentric, circling motifs of Shaker Loops met the concentric architecture of the Gasholders itself, music and building describing the same figure at once. As the piece ended there were audible murmurs of appreciation from the tiers above.
The evening proved the founding principle of The Jupiter Orchestra: that programming chosen in direct response to a space changes what the music is, and what the audience hears. A formal concert presented in a non-traditional space is an uneasy proposition. The Gasholders Building is not a concert hall, and the decision to treat it as one carried a risk that was part of the point. The audience response suggested the risk was the right one.